Originally from Boston, Charles' first college show was "Barefoot in the Park," he played the role of the telephone repairman. Next came "How to Succeed..." in which he played in the ensemble and then Chairman of the Board. He appeared in "Fiddler on the Roof" at the White Marsh Dinner Theatre as Lazar Wolf. Charles' daughter Britt played one of Tevye's younger daughters. Britt later completed a five year stint in Broadway's "Mamma Mia!" as the Sophie understudy. Charles conducts theatre trips to Broadway shows as the "Shubow Shuttle."
Paige Hernandez directs the Anna Deavere Smith reveting play that stars the multi-talented Danielle A. Drakes.
Known for her vocal impressions, Bianco will certainly entertain audiences this week-end.
Go back in time to 1665 and learn about the theatre world in London.
Production at Olney of Tony-winning musical not to be missed.
Norm Lewish, Jessie Muehller, and Rosie O'Connell star in a semi-staged production.
With Valentine's Day quickly approaching (Feb. 14 for those who do not know), have you thought of going to the theater to celebrate?
Buy your tickets now and see an unusual Tony-winning musical.
Broadway stars Ashley Brown, Ben Crawford, and Ted Keegan shine along with the Baltimore Choral Arts Society.
I have been a huge fan of both Wil Love and Carl Schurr for many years. They are currently both performing in Everyman Theatre's THE IMPORTANCE OF BEING EARNEST which ends its run Dec. 30, 2018. They have become two patriarchs of the Baltimore theatre scene. Since their meeting at Center Stage in 1971, they have performed, produced, and adapted hundreds of performances both regionally and nationally. Now in their 10th year as Resident Company Members at Everyman Theatre, Wil and Carl have plenty of war stories and advice to share. I connected with these two venerable performances to learn more about their story.
Arena Stage Artistic Director Molly Smith's gift to Baltimore/Washington theater patrons this season is just plain delightful.
When I heard about the topic of the new Baltimore Center Stage production of A WONDER IN MY SOUL, I initially thought it would be a female version of the film 'Barber Shop' Well, let me tell you, it is NOT!!!!
Do not miss this Tony-winning musical!
Talented cast knows how to some some laughs.
This fable of a musical lacks passion and is rather bland.
When I read that Studio Theatre would be presenting playwright Steven Levenson's IF I FORGET I was very excited. Why? Levenson won a Tony Award for his great book for hit musical DEAR EVAN HANSEN. Then I read the play won the Drama Desk Award for Best Off-Broadway play at the Roundabout Theatre in New York (see their informative study guide). Then when I saw what the play was about I really got excited.
Since becoming a critic at Broadwayworld.com, I normally attend a play on opening night. Baltimore Center Stage has always had a tradition of presenting a 'Meet the Actor's Night' one day after opening. My wife and I loved to attend these because they are uniformly informative, educational, and fun. Normally audiences hear about an actor's past work, how long is the rehearsal process, how was it like to work with the director, is this your first time in Baltimore, what is like to work at Baltimore Center Stage.
Rodgers and Hammerstein's classic musical if given a memorable presentation.
I had the opportunity to meet the DirectorChoreographer of Everyman Theatre's DANCING AT LUGHNASA after opening night at Forno's Restaurant. She was a real delight and I thought would make a good interview. I was so right!
Rep Stage Producing Artistic Director Joseph W. Ritsch Directs, Choreographs, and does the Set Design for a 'hair-raising' rendition of this Stephen Sondheim classic musical.
Signature's 29th season begins with record-breaking 29th Sondheim production!
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