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Broadway Grosses - Week Ending 10/5/2008
View as Graph | Jump to Grosses for the Week of:
Grosses by Show - View grosses for all Broadway shows, past and present
Grosses by Theater - View grosses for each theatre on Broadway
Cumulative Grosses - View the total grosses for all shows currently running on Broadway

Note: Click on a Column Head to Sort/Graph by Column

Show
This Week Gross
Last Week Gross
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per.
This Week %
Last Week %
Diff %
13 (JACOBS)
$125,793
$169,415
$48.61
$198.50
2,588
7,294
7
35.5%
42.3%
-6.8%
A MAN FOR ALL SEASONS (AMERICAN AIRLINES)
$271,879
$273,002
$54.58
$111.50
4,981
5,920
8
84.1%
85.1%
-1.0%
A TALE OF TWO CITIES (AL HIRSCHFELD)
$447,520
$462,585
$62.25
$250.00
7,189
11,360
8
63.3%
67.7%
-4.4%
ALL MY SONS (SCHOENFELD)
$665,491
$684,002
$80.39
$300.00
8,278
8,416
8
98.4%
97.6%
0.8%
AUGUST: OSAGE COUNTY (MUSIC BOX)
$391,308
$419,184
$82.12
$250.00
4,765
7,832
8
60.8%
61.9%
-1.1%
AVENUE Q (GOLDEN)
$248,279
$276,047
$61.00
$200.00
4,070
6,368
8
63.9%
71.8%
-7.9%
BILLY ELLIOT: THE MUSICAL (IMPERIAL)
$700,757
$0
$105.54
$300.00
6,640
7,100
5
93.5%
0.0%
0.0%
BOEING-BOEING (LONGACRE)
$350,664
$364,474
$63.72
$250.00
5,503
8,680
8
63.4%
67.4%
-4.0%
CHICAGO (AMBASSADOR)
$481,869
$482,603
$68.60
$250.00
7,024
8,640
8
81.3%
78.8%
2.5%
EQUUS (BROADHURST)
$662,213
$597,346
$92.69
$300.00
7,144
9,648
8
74.0%
65.3%
8.7%
GREASE (BROOKS ATKINSON)
$453,615
$443,596
$71.07
$300.00
6,383
8,576
8
74.4%
74.6%
-0.2%
GYPSY (ST. JAMES)
$696,728
$677,184
$65.49
$250.00
10,638
13,656
8
77.9%
73.7%
4.2%
HAIRSPRAY (NEIL SIMON)
$435,704
$402,616
$56.01
$240.00
7,779
11,424
8
68.1%
61.6%
6.5%
IN THE HEIGHTS (RICHARD RODGERS)
$715,985
$741,696
$87.34
$300.00
8,198
10,752
8
76.2%
76.7%
-0.5%
JERSEY BOYS (AUGUST WILSON)
$1,104,309
$1,099,560
$111.84
$350.00
9,874
9,776
8
101.0%
100.9%
0.1%
LEGALLY BLONDE (PALACE)
$511,864
$406,527
$54.60
$250.00
9,375
13,528
8
69.3%
61.4%
7.9%
MAMMA MIA! (WINTER GARDEN)
$997,450
$976,467
$83.80
$200.00
11,903
11,984
8
99.3%
96.5%
2.8%
MARY POPPINS (NEW AMSTERDAM)
$598,246
$555,083
$66.25
$250.00
9,030
14,376
8
62.8%
58.1%
4.7%
SOUTH PACIFIC (VIVIAN BEAUMONT)
$917,533
$921,833
$110.60
$125.00
8,296
8,328
8
99.6%
99.8%
-0.2%
SPAMALOT (SHUBERT)
$424,766
$438,964
$68.25
$250.00
6,224
11,528
8
54.0%
54.5%
-0.5%
SPEED THE PLOW (BARRYMORE)
$180,553
$0
$56.12
$250.00
3,217
4,232
4
76.0%
0.0%
0.0%
SPRING AWAKENING (EUGENE O'NEILL)
$320,661
$316,303
$59.20
$250.00
5,417
8,720
8
62.1%
60.5%
1.6%
THE 39 STEPS (CORT)
$221,277
$210,151
$53.14
$225.00
4,164
6,296
8
66.1%
64.5%
1.6%
THE LION KING (MINSKOFF)
$1,096,496
$1,066,186
$86.67
$250.00
12,652
13,232
8
95.6%
96.0%
-0.4%
THE LITTLE MERMAID (LUNT-FONTANNE)
$809,439
$693,971
$78.35
$250.00
10,331
12,144
8
85.1%
74.7%
10.4%
THE PHANTOM OF THE OPERA (MAJESTIC)
$681,462
$692,832
$67.05
$200.00
10,164
12,920
8
78.7%
77.6%
1.1%
THE SEAGULL (WALTER KERR)
$396,195
$317,440
$66.16
$108.00
5,988
7,576
8
79.0%
71.4%
7.6%
TITLE OF SHOW (LYCEUM)
$148,510
$124,322
$46.28
$200.00
3,209
7,312
8
43.9%
37.6%
6.3%
TO BE OR NOT TO BE (FRIEDMAN)
$127,740
$137,065
$52.08
$95.00
2,453
5,200
8
47.2%
52.2%
-5.0%
WICKED (GERSHWIN)
$1,402,931
$1,383,988
$96.94
$300.00
14,472
14,472
8
100.0%
98.4%
1.6%
Show
This Week's Gross
Last Week's Gross
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per.
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$16,587,237
$15,334,442
$71.89
AVG.
$235.10
AVG.
217,949
287,290
232
74.48%
.AVG
67.62%
AVG.
7.55%

Graph Type: 2D Line | 3D Line | 2D Bar | 3D Bar (Default)


Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..

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  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. It’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.

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